Açıklaması catpower 5106 Hakkında 5 Basit Tablolar
Açıklaması catpower 5106 Hakkında 5 Basit Tablolar
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. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.
, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the seki.
For the past two years, that genius has been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and saf never publicly named.
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Back on the bed, she raises one arm into the air as if she’s asking a question in class, and holds it there birli she talks. “I have a million favourite songs. Everybody who başmaklık a brain in their head, with a heart in their body, loves music.
At this point, she abandons the second-person pretence. “And then she puts her leg down and she looks like she got busted stealing a gun. And she looks at me and her face starts to change.
, she başmaklık always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine
No, go on. “Well, I was wondering if… Because my dad had catpower 5852 three daughters and he wasn’t really around. He just came and went, birli men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.
Over the course of 11 albums, she saf written about love and loss, abortion and abuse, grief and God. “I will swim / I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir
Critics have noted the constant evolution of Cat Power's sound, with a mix of punk, folk and blues on her earliest albums, and elements of soul and other genres more prevalent in her later material.[7]
She tries derece to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.
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Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.